Lines, microphone… Record!
Top-end audio & Zero commute
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![Rode NT1 microphone on shock mount]()
Rode NT1 (5th gen) Mic
Exceptional clarity and an outstanding signal-to-noise ratio.
With Rode's foam cover (not pictured) and the shock mount to attenuate plosives and knocks, this mic is perfect for the studio, especially for a narrator.
And it has a new brother!
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MOTU M4 audio interface
The outstanding dynamic range, clear monitoring display and dedicated controls for pre-amp and headphone gain make the MOTU M4 a superb companion.
In addition, the unique monitor mix dial means recording to timed reference tracks is a joy. I find it very helpful for dropping in spot-pickups or singing alongside playback.
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![Headphones AKG K702]()
AKG K702 headphones
Hear every part of the performance with this pair from AKG. Legends like Quincy Jones have endorsed this line, and I can see why. A helpful high-end treble boost, glorious open-back soundstage and fantastic comfort mean you can wear these headphones for hours.
A great alternative to the Sennheiser HD range.
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Rode NT1 (5th Gen) Mic - pair
For true stereo recording, working in tandem with the other Rode NT1. Fantastic for creating vivid stereo imaging in audio dramas, where you feel you are in the very same room as the characters, or for musical instruments.
I tend to move this mic around more, while keep the other fixed for optimised audiobook recordings.
Paired with…
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![Screenshot of Fabfilter and iZotope plugins]()
Powerful, purposeful Plugins
A comprehensive host of audio plugins to enhance the recordings, including the Fabfilter Pro series, iZotope Ozone 12, and RX 11 and Adobe Audition for advanced spectral editing possibilities.
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iPad - the most practical "book"
When you're narrating an audiobook, this is definitely better than hundreds of printed pages flying around!
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Earpods
Used during narration sessions with remote directors, just to hear their direction without affecting the recording! Zero fatigue and no isolation mean I remain alert to any stray noises in my studio.
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Music equipment
Many of my audio editing lessons have come through music production. Cross-discipline work broadens the skill set.
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Blue Yeti microphone
My first mic - hugely versatile, and in the early days I accelerated my editing skill to make this relatively modest mic absolutely sing. Hello, old friend!
Want to set up your own home studio?
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Ideally, 100% of the sound from your voice would go straight into the microphone. But sound has a habit of going in all different directions, and bouncing off everything else in the room! Those reflections are called reverb, and we want to reduce them wherever possible, so we get a nice clear vocal recording.
You can try this - gather soft furnishings, cushions and clothes around the back and sides of your microphone, and listen to how the sound quality is affected. Try changing distance of the microphone from everything else, especially flat walls. How does that sound?
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Any musician will tell you how low-pitched sounds (e.g. double bass, trombone) have low frequency (measured in Hertz), whereas high-pitched sounds (e.g. flute, violin) have high frequency.
As all frequencies travel at the same speed in the same room, this means that lower frequencies form the "largest" sound waves, and higher freq have "smaller" waves. (This is related to the particle oscillations.)
Practically, it means that a thin layer of acoustic foam on the walls will only absorb reverb of around 5000-10,000Hz, whereas a big absorbant object like a fabric chair or a foam trap will absorb booming sounds at around 200Hz. The thicker the item, the lower the frequency of sound it will absorb.
For the human voice, which has a frequency range from around 60Hz up to tens of thousands of Hz, the thicker objects (e.g. a chair, mattress, or foam trap) are useful for the low end, and you can combine with thinner items (acoustic panels, clothes, foam on the walls and ceiling) to control the high end of the voice's reverb.
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Now it's time to strategically place sound-absorbing items around your space, ensure the mic is positioned optimally, and that you have a comfortable place to sit or stand in for hours at a time!
Top tip: using a big wardrobe won't work because the flat front will reflect lots of sound... but if you open the doors, the clothes inside could be great absorbers! Just keep on top of your laundry.
I can't advise more as such, because every space will be different. I'll only remind you that appearance doesn't affect audio quality - unless it really puts you off being in the space. I didn't worry much about that at the start, and that gave me more freedom to experiment.
If you are going for aesthetics, just be realistic about compromises you're making in sound quality to make your space look nicer. Find your balance. Good luck!